Women in Combat

The ban on women fighting in combat has been lifted. By 2016 women will be allowed in combat on the front lines and a lot of feminists would say “huzzah” this feminist, however, is not. I don’t agree that women should be on the front lines—not because they are women but because there are things that need to happen on the front lines that the female body as a whole cannot do. That is not to say that some women can’t meet the requirements—of course they can. My concern is that those requirements will be lessened in the interest of appearing “equal”.
Hand grenades have to be thrown 15 meters. They have to. If they are not they can kill the person that threw it or anyone around them. I can’t throw 15 meters, I can throw a spiral and I’ve got what’s been called a “cannon” of an arm—but I can’t throw as far as my dude…my physicality isn’t made the same way. Again, some women will be able to throw that far, some woman can bench more than men, so some women are fit but all women are not and to open those flood gates endanger lives.
Apart from the strength and distance requirements there are the mental requirements. I was brought up by a marine. There is a code: unit, corp, God, country. That’s not just a line from a movie that is a real code that they live by. Your unit is more important than your family—it transcends a family—your unit is an extension of yourself and I’m sorry but some men in the military do not respect women. That will probably never change. Even if it did, men of other cultures do not respect women and to see a woman in an infantry would make her a major target. Much like when Prince Harry wasn’t allowed to fight on the front lines because it would put his unit in danger. People would target HIM and therefore his unit would be targeted. A woman in an infantry puts her unit in a spotlight—not what you want during combat.
There is also cohesion in a unit. This goes back to men not respecting women in the military (rent The Invisible War or read my review to see how much respect we get). You are told to protect the person to your left and your right—but if you hate the person on your right you will not protect them, you may put them in danger and that puts the rest of the unit in danger. Furthermore—what if you get a little crush? Now you’re focused on protecting her at all costs and not following orders. It’s too complicated, it’s too risky.
My point is—there is a ripple effect to this that no one wants to talk about because it’s wrong. It’s so wrong! A woman should be allowed to have any job she wants in the military in theory, but in reality it’s dangerous. Until society can wrap their heads around women being “people” and not the “weaker sex” or “made from man” than, in my opinion, it’s far too dangerous to move forward with this. I’d rather my military be focused on the job at hand and not on the elephant in the room aka “the girl in the unit”.



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Magdalene Laundries

You know how nuns in the Twenty-First Century are like your adorable aunt who never married. In this metaphor, your aunt is super religious but doesn’t mind if you bring your same-sex date to a family gathering or anything like that. They’re not the fun aunts who buy you liquor or date men less than half their age (I have one of those and she is delightful), but they’re not the family member whom you dread seeing, either.

And, nowadays, nuns are kind of out of the cross-hairs of people taking aim at the Catholic Church’s anti-women and anti-gay policies. After all, American nuns have been officially chastised by the Vatican for “working too much on programs for the poor” instead of concentrating on opposing female reproductive autonomy or marriage equality.

However, it is important to note that this was not always what nuns were like or how they were viewed. I don’t watch American Horror Story because, honestly, what I have seen of the show seems to rely more upon shock value (I tend to expect the worst and not be easily shocked) than telling a story that I find intriguing. That said, Jessica Lange’s character in season two (American Horror Story: Asylum), Sister Jude, is more or less (as portrayed in the first couple of episodes of that season) representative of how nuns were viewed a half-century ago. Strict, physically abusive disciplinarians who brutalized children and the poor or insane who were entrusted to their care.

I am not saying that that is what nuns were like a long time ago. But that is the stereotype. And it is a horrifying one.

Magdalene Laundries were an institution that held poor Irish women who had nowhere else to go. In some cases, they were sent there by the state for committing certain crimes. In other cases, they checked in because they were desperate for a place to stay for a little while and had no other place to go.

The historical view of these institutions is disputed. One view is that these institutions, believed to primarily house prostitutes, were places where women were held against their will, used for slave labor, and subjected to violence by the nuns who oversaw their work. The other is a place where many women came and went, were chastised and belittled, and worked in exchange for less-than-desirable accommodations.

I’m no expert on Irish history, but my suspicion is that the truth lies somewhere in between. Which, honestly, tends to be how the world works. You can read more about recent findings and debate about these controversial institutions here. Suffice it to say that no one seems to agree at the moment.

How society treats its own members is one of the most defining elements for any society. Children, non-human animals who are nonetheless part of our society (dogs and cats are part of our families—that makes them part of our society), ethnic minorities, racial minorities, religious minorities, sexual minorities, the developmentally disabled, the psychologically challenged, and women are among the most frequently and broadly mistreated groups in history. That list is entirely too long.

Ireland has made a lot of strides in the right direction, but it is important to learn the truth about the past. One way or the other, however, both reports indicate severe inequality when it came to the treatment of women in history. Let’s never have a repeat of Magdalene Laundries, under any guise, okay?



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So Classic

I was born in the wrong era. The 1930s-1970s is the area I should’ve been in. All the movies, the styles, I loved it (except for the sexism and oppression but let me live in my world where that didn’t happen). I am completely content to lie in my bed and watch TCM all day every day. The majority of my DVD collection consists of films made before 1970. This is the time where movies were great, meaningful and an escape. The movies stars…don’t get me started! Monroe, Hayworth, Hepburn, Leigh, Taylor…they acted like stars. It was always glamour! Not this crazy Amanda Bynes, Anne Hathaway crap.
TCM—that’s my station. I love The Essentials, it’s a Saturday night special hosted by Robert Osborne and another actor or actress (this month was Drew Barrymore). They go over movies that are “essential” to watch. In February they do 31 days of Oscar—all Oscar winning films leading up to the Academy Awards. They have wonderful documentaries…great flicks…it’s wonderful. I didn’t think it could get any better until I found out that this month is “The Woman’s World: The Defining Era of Women on Film”.
From the TCM site:
TCM proudly introduces Friday Night Spotlight, a new month-long festival of films hosted by a special guest. The theme of the inaugural Friday Night Spotlight is A Woman’s World: The Defining Era of Women on Film, with celebrated singer/actress/superstar Cher joining Robert Osborne in hosting the screenings. This Spotlight will shine on the “woman’s film,” a staple from the late 1930s through the early ’50s that viewed life from the female perspective as it changed with the times, creating a genre that was rich, varied, sometimes subversive and always entertaining.
Among films with the theme of Motherhood are dramatic vehicles for two icons of the woman’s film, each playing a mom who sacrifices everything for a daughter: Barbara Stanwyck as Stella Dallas (1937) and Joan Crawford as Mildred Pierce (1945). The War Effort and the Homefront of the World War II era are represented by Claudette Colbert in, respectively, So Proudly We Hail (1943), in which she serves as a Red Cross nurse in the Pacific, and Since You We Went Away (1944), in which she bravely maintains a family while her husband is away at war.
Working Women, a force that would grow considerably during the war years, include Rosalind Russell in His Girl Friday (1940) and Katharine Hepburn in Woman of the Year (1942), with Cary Grant and Spencer Tracy, respectively, as the men in the lives of these independent career women. Among the Women Taking Charge are Ginger Rogers as a young working-class woman who marries into wealth yet retains control of her own destiny in Kitty Foyle (1940), and Bette Davis as a genteel but strong-willed socialite who takes over the child of another woman (Mary Astor) in The Great Lie (1941).

Not only are the celebrating women in film…they’re doing it with Cher. Stop being the best TCM I can’t take it! I have a full-time job how the hell am I supposed to live knowing this is going on?! Fine, FINE! You win! I’ll spend every Friday night at home watching your station.



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James Franco…Shut Up.

James Franco is hot. There’s no denying that…but he needs to shut up. I don’t care that he goes to college, I don’t care that he does a documentary about BDSM, I don’t care what he thinks about anything. I want him on a screen saying other people’s words…I certainly don’t want to hear how he turned down Lindsay Lohan because she “had issues”. Oh, wow—James Franco…you Prince…you God among men! Let us worship at your feet because you had the common decency not to use a girl for sex…you just used her to sound like a gentleman.
Franco visited Howard Stern and had a whole bunch to say about Lohan:
“You turned down sex with Lindsay Lohan, didn’t you?” Stern asked. “Back then when she was a lot hotter?

“Oh, gosh. Poor Lindsay,” Franco replied. “I haven’t talked to her in a while…We were friends. My house in LA was being redone, so I did this thing where I just stayed at the hotel, and she had been living there for a couple years,” Franco recalled.

Stern: “And you turned her down sexually?”

“I mean, I don’t want to brag about it,” Franco said. “I don’t know how that got out. She was having issues even then, so you feel weird,” he continued. “Honestly, she was a friend. I’ve met a lot of people that are troubled and sometimes you don’t want to do that.”
You don’t want to brag about it? So you’ll spill the details of it? What a friend! We all know she’s a train wreck…you don’t get points for not using her.
Lohan wasn’t the only girl that Franco spilled gossip on. After he so gallantly didn’t brag about the very reasons why he turned her down he moved on to why people hate Anne Hathaway.
Stern asked why people seem to hate Hathaway and Franco’s gentleman response was, “I’m happy to revisit this, but you’re going to have to take the lead. She does not want me talking about this, but okay.”
Again, what a stand up dude! She doesn’t want you talking about this…so let’s talk about it!
“I’m not an expert on — I guess they’re called ‘Hatha-haters’ — but I think that’s what maybe triggers it,” he said.

“Are you still friendly with her?” Stern asked.

“We haven’t talked in a while.” I find this part interesting…this Hatha-hate is rather new…so they must’ve talked around the time she was in Les Miserable….because that’s when this backlash started…he also went on to say:

“Anne and I made up, by the way,” Franco interjected. “Let’s just get that on the record.”

Made up? Were they fighting? I did a quick Google search and found no articles stating that they were at odds. But Franco made it clear that after the Oscar Hosting Debacle Hathaway blamed him and threw a tantrum and refused to speak to him.
So, she’s your friend—you made up—she doesn’t want you talking about people hating her—so you not only talk about it you give them YET ANOTHER REASON TO DESPISE HER.
Franco…shut up. Just shut up. You are a piece of garbage and no amount of bad art you put out makes this kind of behavior okay. Just…go away!



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