Real And Pretend: How We Use Real Beliefs To View Fictional Settings

We all have beliefs about how the universe works. Some of those beliefs are religious in nature, and others are not. Most of us occasionally encounter information or ideas that might challenge those beliefs. I think that that is a fairly standard human experience.

I love to read science fiction and fantasy stories, and I have for my entire life. I love to watch films based in such worlds. I also love science fiction and fantasy television shows. I love video games from these same genres.

I have noticed, in my own experiences as a reader, viewer, and gamer, that I tend to project some of my own beliefs onto whatever I am watching. I do not just mean evaluating the moral decisions of characters based upon my own (objectively correct) view of right and wrong—just about everyone does that, regardless of the genre. I mean that, while stories set in our world (like crime dramas or romantic comedies) may have religious conflict and people of various and even conflicting faiths, these stories are fairly standard, and it makes sense that we believe about stories set in our world what we believe in everyday life (as in, an atheist probably will not think “well, maybe Christianity is right in the Law & Order universe).

It also makes sense that our viewing might be similar to that in science fiction. If you are, say, a Christian, it makes sense that you would have a Christian worldview, even when watching a science fiction story that is set a few centuries in the future—you would not believe that your God is going anywhere between now and the future, even if events are extremely unlikely to play out exactly like they do on a television show.

But fantasy worlds that are clearly separate from our own? That’s something else. These are worlds in which the author (or writers) control everything about the setting. There might be multiple religions in a setting, but either none of them are correct, one of them is correct, or, in some cases, all of them might somehow be correct. But, intellectually, I know that it’s up to the author.

You might need examples of what I am talking about. On Supernatural, for example, which is set in a version of our world in which supernatural/horror creatures are a reality, there is also a semi-Abrahamic (though somewhat syncretic) structure to the world. That is, most monsters (vampires, werewolves, shape-shifters) came from an evil and immortal creature named Eve. Demons abound, and they are malevolent spirits who originate from a horrible alternate dimension in which the souls of wicked humans are tortured for all time. Demons were created by a …

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Many Twilight-Bashers Miss The Point

photo of twilight pictures
Look, I hate Twilight as much as the next person. Actually, I probably hate it more than most. Twilight does not do any favors for women—and it also does not do any favors in terms of its portrayal of vampires. And I like women. And I like vampires. Love them, even. Since I was in second or third grade. Vampires, I mean.

I hate self-hating vampire guys who fall in love with local girls who are human but somehow special (Angel, Mick St. John, Stefan Salvatore, Bill Compton), but I can still enjoy the stories in which they are central characters. And I am not a fan of supernatural worlds in which “vampires” are so different from what I imagine that they hardly qualify for the name (Joss Whedon’s Buffyverse vampires and the vampires of Supernatural). And yet these stories can still be incredibly enjoyable.

Twilight takes both of these common flaws in vampire stories to new, upsetting extremes.

Twilight features the Cullen family of “vampires,” who are a small clan of self-hating vampires who live in secret but try to have a semblance of human lives. Not every vampire in the Twilight universe fits this description, but the “good guy” vampires do.

The “vampires” in Twilight better resemble human-shaped, venomous (for some reason) golems made out of sparkly caesarstone than vampires. I mean, really.

Twilight-bashing should never translate to vampire-bashing. Aside from the readers, vampires are the real victims, here. Vampires, from the older stories of magical beings or ravenous dead that feed upon the flesh or blood of the …

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Watch This: Arrow


(Proud of me for resisting a title like “Arrow Hits The Mark?” You should be. I also might have made the title: “Stephen Amell Gives This Wretched World The Olliver Queen It Deserves.”)

So, can you tell that I am kind of a slave to The CW? I may no longer watch Gossip Girl (though my love for Blair Waldorf is absolute and undying), but I am absolutely in love with The Vampire Diaries—which is much, much better than the title would suggest, is actually better than True Blood, and has something like fourteen million viewers. Though it was tragically not renewed, last season’s The Secret Circle was absolutely amazing. And I watch Supernatural every Wednesday night—that show is several episodes into its eighth season.

So, as a great big nerd, I was excited but nervous when I heard that The CW was making a show based upon the DC superhero, Green Arrow. Despite the appearance of the protagonist and a number of excellent casting decisions, Smallville, which reimagined Clark Kent’s adolescence as he comes to terms with his blossoming superpowers and struggles to save the day while keeping his secret, all before his days as Superman, Smallville was just not a good show. There were wonderful things about it. There were also some dreadful things about it that made it difficult to watch.

The Green Arrow himself looks like a Robin Hood figure. He is a masterful archer whose gadgety arrows (often self-indulgent gadgety arrows) assist him in a number of circumstances (you know Hawkeye from The Avengers? Similar basic idea. Radically different characters and backstories). In real life, his name is Olliver Queen, and he is a billionaire and owns a company, Queen Consolidated, which is based in Star City—one of many fictional metropolitan areas that exist within the DC Universe (like Metropolis, Gotham, Central City, Bludhaven). His villains are rarely big-shots, but assassin and archer Merlyn is arguably his archenemy, and Green Arrow has always had unpleasant run-ins with the Eastern European aristocratic supervillain, Count Vertigo. He has a sidekick, Speedy (best shown on Young Justice, where in addition to being incredibly handsome, he ceases to be a sidekick and adopts the name “Red Arrow”). Above all else, Green Arrow is an archer who learned how to shoot a bow while trapped on an island after his boat was sabotaged. Now he works in secret …

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