Abercrombie Is Against Large People, Which We Already Know

Abercrombie and Fitch doesn’t carry the sixes XL and XXL in their clothing store. They do carry those sizes in men’s clothing so that buff male athletes will also wear the brand.

Large people do not appeal to A&F’s marketing scheme. The CEO has made multiple public statements on the topic, including “It’s almost everything. That’s why we hire good-looking people in our stores. Because good-looking people attract other good-looking people, and we want to market to cool, good-looking people. We don’t market to anyone other than that.”

We know. We noticed that all of the preppy, popular kids in high school had wardrobes full of Abercrombie and Fitch apparel.

This marketing scheme makes logical sense. The popular teens see other beautiful teens wearing the brand and want to fit in. They see the advertisements full of impossibly beautiful people. Every year, the company comes out with a catalogue that has to be purchased from the store, chock full of pictures of naked, stereotypically attractive, predominately white people. Only people who deem themselves in the league of the attractiveness of the models should be wearing the clothes, as far as the brand is concerned.

Those less “attractive” may aspire to be one of the popular kids. They also shell out the money and don the clothing, on the off chance that this will make them as attactive and as cool as those they wish they were friends with.

Finally, there are those with larger body types who simply will not be able to fit into the clothing brand. This makes CEO Mike Jeffries very happy. Without his clothes being unobtainable by the truly “unattractive”, then his clothes would not be as cool. The core customers are to be stereotypically hot, youthful people.

For all of these reasons, the brand is able to overprice clothing that is marketed to teens. Teenagers are generally not able to pay the same clothing prices that adults do. Instead, they shop at cheaper outlets like Forever 21 and H&M. With this cool-ness branding, teenagers are willing to pay whatever it takes to make it. Massive amounts of buyers fly from Asian countries to large A&F stores in order to fulfill their client’s wishes and provide this elusive, cool clothing.

Not to mention that aspiring to these ideals can create eating disorders.

Legally, the brand must hire sales people as “models”. This way, they must be attractive and cool, personifying everything that Mike Jeffries wants. Potentially less attractive employees work in the back of the store, in the stock room.

I think that is a brilliant marketing scheme. I also think that it is disgusting.

Another CEO quote for your viewing pleasure:

“In every school there are the cool and popular kids, and then there are the not-so-cool kids. Candidly, we go after the cool kids. We go after the attractive all-American kid with a great attitude and a lot of friends. A lot of people don’t belong [in our clothes], and they can’t belong. Are we exclusionary? Absolutely. Those companies that are in trouble are trying to target everybody: young, old, fat, skinny. But then you become totally vanilla. You don’t alienate anybody, but you don’t excite anybody, either.”

Ugh. Makes sense, but no thank you. If purposeful discrimination is what it takes to be cool, then you get what you pay for.



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Music Industry’s Talent Anorexia

photo of kesha pictures
I got into writing because I was a DJ. People would drop off their demos and I had quite a collection after sometime. When I hit a certain point, I paid a visit to a local magazine and asked if they wanted them for reviews and they said, “Sure, write some.” So there you have it—I started my writing career as a music critic. First, I focused on rock and then pop artists and their labels would contact me and after that, I eventually broadened my scope. I also, eventually, had to stop because I grew to hate the current state of music and could no longer listen to it without bias. I got sick of the formula; my ears had fatigue and it all sounded the same after awhile. It’s the reason I still can’t listen to the radio, but I do still DJ from time to time, so that helps me to know what’s current (even if I hate it).

Honestly speaking, though, nothing puts me a bad mood quicker than today’s pop music. Not all of it, just most. Case and point, Kesha. (I will not use a dollar sign in someone’s name; I refuse.) Kesha is a 25-year-old white, girl “rapper”. Her first hit single “Tik-Tok” sold more copies than any of the Beatles singles, and that’s sickening. A few years ago, a picture of her surfaced, she was topless and covered in some dude’s juices. Classy, classy lady. Her songs have lyrics like:

“Wake up in the morning feeling like P Diddy / Grab my glasses, I’m out the door, I’m gonna hit this city / Before I leave, brush my teeth with a bottle of Jack / ‘Cause when I leave for the night, I ain’t coming back”

She says this all in a somewhat baby/kittenish slurred voice, and I swear to Buddah it makes me want to jump off a building. It’s almost as bad as Katy Perry’s ‘Firework’:

“Do you ever feel like a plastic bag?”

What? No, I never feel like a plastic bag … no one ever feels like a plastic bag. What the hell does that even mean? Get a better metaphor. But back to Kesha and how her voice and horrible rapping make me want to jump from a very high place—this “nails-on-a-chalkboard-vocal is laid over some techno bumping, I-don’t-even-know-what-kind-of-instrument-they’re-using-to manipulate” and then auto-tuned. It’s a recipe for shitty music, but it goes to number one every time. Her latest “hit” is called ‘Die Young’ and naturally I hate it.

I was browsing the Internet recently and came across an article titled, “Ke$ha Made A Beautiful Acoustic Version Of “Die Young” I clicked on it and said quite loudly, “Yeah f-cking right.” I hit play and holy mother of God. The voice that started to sing was not Kesha. No way that is Kesha. That is good. That is interesting, that is complex. That is not Kesha … that is not … holy shit that is Kesha. I sat listening to this song that I hated and started to really like it. It suddenly took on a different genre. It was bluesy, it was sort of sad, and honestly, her voice was f-cking lovely.

Underneath the acoustic version of ‘Die Young’ was her cover of one of my favorite Bob Dylan songs, “Don’t Think Twice It’s Alright” but it should be called, ‘Don’t Think Twice About Singing This Song Unless You Are Bob Dylan’. I hit play, it’s just her voice. It’s broken, it’s bluesy, it sounds like she’s been crying for a week straight. By the second verse my eyes were welled up with tears and my heart hurt for this girl who was leaving a guy that clearly didn’t see her. But this is f-cking Kesha! How am I being moved by Kesha?! I’ll tell you how—it’s because Kesha actually does have talent. But real talent is not marketable in today’s generation. Kesha as a bluesy, complex, voice has no place on the billboard charts. Kesha as an annoying, drunk, reckless, trash-bag does.

The Kesha I heard in her acoustic versions is a girl I want to hug. And I don’t even like to be touched. But that’s the voice belonging to a girl that I would care for, I would look after; share a bottle of wine with. The Kesha I hear on the radio is a girl I am convinced I will get chlamydia from. I don’t want her coughing near me let alone to hug me.

Talent doesn’t matter anymore. Marketablilty matters. Lindsay Lohan as Elizabeth Taylor was the worst casting decision in the world but it got Lifetime talked about on every social media platform for months. Kesha as a singer isn’t controversial, but Kesha as a rapper is.

Today is not built on talent or trying hard or ability—it’s based on how can you shock and disgust the world. How can you make the disappointed, depressed, angry people sitting at home feel better about themselves. You make “sketti” with noodles and ketchup and feed that to your kid? Excellent. You get a TLC show and 5,000 dollars an episode. This is a generation of ‘shock and awe’ in the worst possible way.



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SHE Magazine Attempts to Make Marriage Cool

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SHE magazine’s website includes a partnership with five other UK magazines: Good Housekeeping, Coast, Country Living, Prima and House Beautiful. They’re all a part of the Hearst Digital Network, and grouped …

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The Historical Lessons of Rosie the Riveter

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One of the most important things I’ve learned is how little I really know, and this is as true of some of the historical bases for feminism as it is anything else.

I’d heard of Rosie the Riveter, of course, and had read a fair amount of feminist literature (from Mary Wollstonecraft to Andrea Dworkin) in college, but the “touched upon” nature that one receives in a survey class is completely different than diving …

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