Why “Dear Abby” Mattered to Feminism

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The year is 1956 (if you’re of my generation, think Marty McFly showing up in a world where Diet Pepsi doesn’t exist, his puffy ’80s belt brings on life preserver votes, and female high school students get all dressed up to go to school).

A 37-year-old woman named Pauline (Friedman) Phillips convinced the San Francisco Chronicle to give her a chance as an advice columnist as she was underwhelmed with the status quo, and Abigail Van Buren, better known as “Dear Abby” for the past fifty years, was born. Phillips, whose sister Esther wrote as the other queen of advice Ann Landers, died January 16th after a longtime battle with Alzheimer’s Disease.

The fact that neither Dear Abby nor Ann Landers have been a day-to-day part of life for people born after about 1980 or so does not take away their significance … nor their place as feminist icons.

In how many places, after all, can you see the transgression of feminism as seen through the minds and souls and acceptance levels slide ever further along the line? Through reading Dear Abby’s answers to questions about divorce, parenting, abuse, mother-in-laws, and proper etiquette, a reader looking with a feminist lens can actually see the zone of proximal development vis a vis feminism reach dizzying heights.

It’s a history lesson that would never be taught in schools.

Of perhaps even greater value, though, are the conversations that happened as a result of Dear Abby, the willingness to bring forward issues of increasing complexity faced by women and men alike that nobody would talk about.

There was a time when bringing up things like domestic abuse or sexual harassment at the workplace or rape or suspected pedophilia or … well, you get the idea … was just impossible. The shame of telling someone about it, of weathering the pain and grief on your own, of feeling isolated … all of those things just dragged you down. While this secret humiliation, this fear of reprisal continues to keep many people silent for a long time even in 2013, we can thank advice columnists for cracking that door at least a little.

Dear Abby and her ilk gave a degree of recourse. Sometimes just hearing, “You are not wrong, and you are not alone” can make the difference between moving on with life and descending into darkness.

So today, I am honoring Pauline Freidman Phillips for the push she gave to feminism, and the assistance she gave to many over the years.

RIP, Dear Abby … and thank you.



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Dolly Parton has long been a feminist favorite. We embrace her as one of our own—and some do it with a grain of salt. Dolly idealizes all that some feminists would say is wrong. Her big fake blonde hair, her big fake breasts, her shameless flaunting of herself—everyone know the story of how Dolly decided to look like Dolly right? When she was young she was walking down the street with her mother and saw “the town tramp.” Dolly said she thought the woman was the prettiest thing she ever saw and told her mother so. Her mother responded with “Dolly, you don’t want to be like her, she’s trash” and Dolly responded with, “That’s what I’m gonna be when I grow up … trash!” Some would argue that that statement is an abomination for a feminist to consider, but I argue that it’s quite the opposite. Dolly saw something that pleased her and, despite what anyone else thought, she made herself that.

One of the many reasons feminists flock to Dolly would be her 1968 song called “Just Because I’m A Woman”. The song has long been questioned as the double standard of sexual experience. Parton says, over …

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Zooey Deschanel: My Feminist Icon

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Zooey Deschanel has a new hit show, her own band, is co-owner of a brand-new website for women that focuses on being positive, is an actress who has starred alongside the likes of Jim Carrey (and was able to hold her own when it came to comedy), and is – undeniably – completely adorable. So why is there a bunch of Zooey backlash?

Zooey has been called a “hipster queen” – at least that’s how she’s been packaged – and a lot of folks will scoff and roll their eyes at the mention of her name. Part of this, I believe, has to do with her amazing turn as Summer in the indie flick ’500 Days Of Summer’. This is a common thing that happens to actors and actresses – they are so heavily identified to a character that people believe they are that person. People confuse Zooey with Summer and think Summer was kind of a bitch. To those people I say: you clearly did not understand ’500 Days Of Summer’, and that is all.

The film is about Tom, who falls for Summer, then becomes hurt when she ends their causal relationship. Throughout the whole film, Tom is portrayed as someone who is a hopeless romantic and he believes Summer is the one. Summer clearly states over and over again that she is not a romantic, Tom is not one, and this is just fun. But Tom is wrapped up in their time together and is hurt and blindsided when Summer moves on and marries someone else. The problem in the film is Tom. ’500 Days Of Summer’ turns the romantic comedy formula around and makes Tom the typical swoony girl and Summer the boy who will never be tamed. That’s why people have a problem: Tom is not the sweet guy you want to end up with. He is a whiny, selfish boy who doesn’t listen to what she is saying because he can’t believe he would be wrong about this girl. He feels that there’s no way she wouldn’t fall for him, but it’s meant to be according to him. It’s hard to see women in masculine roles, instead of your non-stereotypical swoony dames. So poor Zooey …

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Pink Ribbons Inc.: A Documentary Review on Where Cancer Research Money Ends Up

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Lea Pool is a Montreal filmmaker who was tapped to do a documentary about how money is raised for breast cancer research. Pool wasn’t sure there was  story there until she jumped into the backstory on breast cancer awareness. Pink Ribbons, Inc.: Breast Cancer and the Politics of Philanthropy, is a revealing book written in 2006 by Samantha King, a professor of kinesiology and health studies at Queen’s University. The next stop on the road to information was the autobiographical piece, Welcome to Cancerland, a scathing 2001 feature article in Harper’s magazine by feminist writer Barbara Ehrenreich. After reading that, it became the impetus for Pool to make Pink Ribbons, Inc., which is a 97 minute documentary that Pool explains: “I needed to find a way to make (the fundraising issue) more attractive to a large audience,” so she worked some filmmaking magic tricks, she interviews people against a digitally animated background and has them speak directly to the camera. “It’s not a new idea, but it works well – it engages the viewer,” said Pool.

Instead of normal narration facts are typed on the screen for the view to read, and she uses pink–a lot of pink. But it’s not all nice colors and scary facts – there’s also controversy and hypocrisy. Pool brings these facts …

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